Marvel AntMan’s Set Design
7) For the scaled-down Ant-Man sequences, the filmmakers used a combination of motion-picture macro photography, still macro photography, motion capture with the actors, motion capture with the stunt people, and for every set they built miniature sets, called macro sets. Macro photography is extreme close-up photography that produces photographs of small items larger than life-size.
8) In the spirit of shooting everything in miniature, the macro photography team built a mini clapperboard, the device filmmakers use to help synchronize picture and sound. Originally made of wood and handwritten on with chalk, clapperboards now have digital features, but the one for the macro sets was of the old-fashioned variety.
9) Marvel’s “Ant-Man” is set in San Francisco and many exterior shots were done there, including shots of the Golden Gate Bridge, the Tenderloin District and the exterior of a Victorian home used to portray Hank Pym’s house. Following San Francisco, the production settled into Pinewood Studios’ newly built facilities in Atlanta and Marvel’s “Ant-Man” became the very first movie to film there. The interiors of Hank Pym’s house where the first sets that the production design team constructed on the new soundstages.
10) As with all the films in the Marvel Cinematic Universe, much detail went into creating Hank Pym’s old Victorian house set, from furniture, fireplaces, stained glass and even wallpaper. The wallpaper used in the Pym House set came from a store in New York City that specializes in classic, period wallpapers from the 1930s and 1940s. Because there are limited rolls of each design, the production design team had to plan carefully to ensure that there was enough available to do the rooms they wanted.